oceans, seas, broken cars, glass pebbles

Atlantic ocean (or is it Celtic sea? Doesn't matter really, sea being part of the ocean), as seen from layby onthe road from Saunton to Croyde, somewhere halfway.

I post pics from Somerset (or Devon on this occasion) in no particular order.

We decided to take our car out for a drive couple of days after we arrived to the cottage. As soon as we drove out, it started making loud bangs somewhere under my (driver's, that is) feet. Perhaps not very wisely, I drove it all the way to Barnstaple before stopping in Homebase carpark. Kirill went inside to ask for a nearest garage. He emerged in company of a man whose name I don't recall (sorry, I was stressed by then) who offered us to follow him to a place where there were a few garages side by side, including one where he took his own car. We followed his car and soon his mechanic told us that suspension spring was broken and it can break more stuff (like piercing the tire) if not attended to. Unfortunately, garages don't stock much spare parts now, so we had to leave the car at Barnstaple and come back by bus - two buses, to be precise.


The experience was definitely useful in many ways. Next time I hear any suspicious noises, I will know to stop at the nearest place. Plus, everybody we met were very helpful, and I now know for sure that it's possible to travel in english countryside by public transport, if you don't mind a bit of walking now and then.

I feel especially thankful to the gentleman who took us to garages from homebase carpark - he even offered to drive us back to the cottage, but I felt that it'll be way too much to ask, plus, to be honest, all of us won't have fit in his car anyway :) Thank you again, and sorry I can't remember your name, but I really was stressed

Picture above was taken after we collected repaired car from the garage a couple of days later.



and this is one of the things Timur entertained himself with while in the cottage - glass pebbles painting. He would have done better if his brush was proper one, but even so I like what he has done - especially the circular design

River Barle

this is an almost mandatory long-exposure shot of moving water - Barle river upstream from Dulverton. We went for a walk, aiming to get to the next village along the riverside path, and trying to figure out if we can get to Tarr Steps, but turned back when a small stream crossed the path. I readily admit to lack of perseverance on my part - we could have crossed that little stream, but I was worried there are more along the way.

Anyway. Camera on timer sitting on my backpack (no tripod being at hand). Backpack lying on the ground so sort of difficult to aim and this is more or less the best shot out of fifteen or so I made. I would have stayed for another while, but kids were getting impatient.

Somerset, old cottage - bit of brekky

Cottage we stayed in was full of old things. Some of them were just old, like the frying pan below - it had uneven bottom, so all the eggs tended to congregate in one spot. They are not all for me, btw, in case you are wondering





Some of the stuff though were real retro-antique-what-have-you. Don't know if old books that we saw there have any monetary value, but they definitely had bags of charm



Illustrator who drew this probably never had a chance to look at a real shark, or even a good picture of a real one, but aaaah! - transparent paper covering the next illustration and the blue of the sea when it's lifted

old watercolors - "June"

Tomorrow, everything being well, I am taking part in a local charity event where I am going to try and sell some of my watercolors. They've been hanging on my own walls for a while, and we should start getting rid of stuff anyway, so - today we took them out of the frames (they weren't good frames, lots of thunderbugs got in), and I photographed them and packed into clear film. And now suddenly feel very nostalgic.

But - has to be done I guess. If they don't shift tomorrow, I will try to figure out what else I can do with them.

This is one of them - painted from my old photograph, taken with ancient nikon coolpix. If I remember correctly, I grandly titled the photo "June".

While looking through pictures, we also found rather cute sketches in little "fat cat" series - here they are

Chinese New Year - few more pics

A few more pictures from Sunday and that's it (it was dark).

Those guys were clinging to a post of the last gates (Paifang) we passed before moving on to Trafalgar square. Don't know if the guy with the camera is anything to do with television.



Unexpected variation on "year of the rabbit" theme :)



This hat was being passed from one person to another and pictures taken by pretty much everybody around - don't know if it was a photography spot or sort of installation project for somebody, we were dragged along by two hungry kids in search of a place to eat



Musician in front of National portrait gallery



We must have missed some sort of parade with balloons - got the moment of one of them being taken away



There was a big scene on Trafalgar square itself, facing National Gallery and steps, and there was a big screen as well. It was a lot less crowded there, and I think I can see why - looking at this more official and organized performance was not as interesting as being in the crown in Chinatown itself.

portrait - conversion to monochrome

although I prefer color photographs to monochrome, monochrome has its points. When I look at those two portraits of Natalia Bull, I find it hard to choose which one I prefer - it really depends on the purpose. Color one has more information in it and would look great in a color layout, monochrome is probably more suitable for printing out and hanging on a wall.

I don't have full photoshop, but photoshop elements once again proved to be an adequate tool for the purpose. To get the soft skin tones, I had a lot of red and very little of green and blue in the mix during the conversion. If it was a freckly child portrait and I wanted to emphasize the freckles, I would have done the opposite - lots of green, less red.

One consequence of this conversion if that lips were de-emphasized. There was a thin layer of pale gloss on them, and contrast with skin is even lower in monochrome. Funnily enough, fire-engine red lipstick would would go as pale, so if we repeat the session at some point and want a higher contrast, we'd need a colder tone with less red - plum shade will work.

Toning was done with gradient map layer.

Natalia Bull is zumba instructor, and we had a lot more colorful zumba session with her as well - you can find it here